Galactic From the Corner to the Block Review
Review: Galactic, From the Corner to the Cake
Galactic is a New Orleans jazz seasoned funk band. The group more than or less got it'southward start when drummer Stanton Moore began playing with bassist Robert 
Mercurio and keyboard thespian Rich Vogel in the early 1990s. The curent line up adds Ben Ellman on horns and harp and Jeff Raines on guitar. "From the Corner to the Cake" is something of a divergence from their usual fare. Rather than present primarily instrumental funk work outs, Galactic hooks up with a diverseness of MCs and the event is a stellar set of funk oriented hip hop.
The most obvious aspect of "From the Corner to the Block" and it's greatest strength is that all of the music is played by a live band. Hip hop is very much rhythm driven music and the tunes on "From the Corner to the Block" are congenital on Moore's securely funky drums. However the tracks are also filled with the kind of little flourishes and furnishings that producers build into their songs just in this case everything is being played past the ring. There's a life here that even the best hip hop producers rarely if always achieve with beats and layered effects constructed with Pro Tools and a studio full of samplers.
Galactic cowrote all the tunes on "From the Corner to the Cake" in combination with the MC who appears on each runway which turned out to be an excellent way to approach the anthology. Information technology sounds similar the ring and the MCs each adapted to the other which gives the CD a sense of coherence even while different styles of rap are existence presented. Information technology works very well. Another strength is that the MCs don't carp with the outlandish thug posturing, conspicuous consumption and self absorption and boasting and that makes many of the more popular MCs and rappers sound like buffoons. For the virtually role the raps on "From the Corner to the Cake" are clever and interesting. Good stuff.
I'm finding that I tend to enjoy hip hop more when the CD features a number of different MCs as opposed to entire disc performed by the same group. I think the reason for this is that many MCs have a fairly express ability to rap in unlike rhythms and the presentation becomes monotonous after several tracks. "From the Corner to the Block" doesn't fall into this trap because the vocals on each track are performed by a unlike creative person. Galactic also breaks upwards the flow with a couple of instrumental-only tracks including "Tuff Love" which features Trombone Shorty and is 1 of the highlights of the album. They've also included "Second and Dryades" which features vocals by Big Chief Monk Boudreaux. Boudreaux was a long-time meber of the legendary New orleans band the Wild Magnolias and "2nd and Dryades" is a dainty reminder that music with talking vocals wasn't invented in the Bronx in the 1970s and can comprehend styles that go far beyond the somewhat express constraints displayed by a lot of mass marketed hip hop.
I've plant "From the Corner to the Block" to be a grower – the more I listen to it, the more I enjoy information technology. It may be that rare album that can exist enjoyed by both seasoned hip hop listeners and people who don't like the genre because of the ugly attitudes displyed by some of its practitioners. Galactic has long had a reputation as a band that can lay downward a non-stop party groove. Hooking them upward with a set up of talented MCs was a bright idea.
Source: https://tunedintomusic.wordpress.com/2008/03/09/review-galactic-from-the-corner-to-the-block/
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